Yusimí Rodríguez López
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The Cuban Rap
Agency Controversy (Sekou’s Version) 2/1/2012 Havana
Times: by Yusimi Rodriguez - "HT: You weren’t bothered that Magia
was a woman who was directing a lot of male rappers? Sekou: That’s not the
case. We’ve always had female directors at the Rap Agency. If another woman
director comes later, that’s fine. I think men have held more than enough
management positions in the world for more than enough time. If a woman is
leading and doing the job, at least in my personal case, that’s not a problem.
But it’s a problem if someone is in that position to carry out certain
responsibilities but they don’t fulfill them as they should. If tomorrow they
make another woman the director, that’s fine. But as artists we want them to
do their job for us. We want to have a director who facilitates things for us. I
want someone who will help me if I want to do a concert that requires a lot of
logistics. I want someone who will support me with the expenses. However, if you
can’t help me but you can spend money on yourself, then what’s up with that?
Those are things one might suspect and comment about, but when you go through
the paperwork you realize that it’s an objective fact."
A Cuba Artist’s
‘Corporal Concepts’ 1/5/2012 Havana Times: by
Yusimi Rodriguez
The Unity of the
Majority of Cubans 12/29/2011 Havana Times: by Yusimi
Rodriguez - "The question is: Will this minority at some point have the
legal right to organize its members, or unite with other minorities or with/in
other parties? Another question: Will the Communist Party of Cuba at some point
cease to be “The” party to simply become a political party; one of many that
people can join as they wish?"
Cuba Hip Hop Has
Its Magic 12/22/2011 Havana Times: by Yusimi Rodriguez
- "Recently a large part of the rappers that belong to the Cuban Rap Agency
sent a letter to Culture Minister Abel Prieto, in which they complained about
the work of Magia López at the head of the agency and asked that she be
removed. This is an interview with Magia for Havana Times made before the
sending of the letter. She talks about the CD Disco Negro and other topics
including her work at the Cuban Rap Agency."
Maite Vera: A
Cuban Who Writes Soap Operas 12/18/2011 Havana Times: by
Yusimi Rodriguez - "Many Cubans feel Maite’s scripts reflect a
rose-colored vision of the regime, and perhaps the explanation lies in this
documentary. We discover a woman who lived through the Batista dictatorship and
belongs to the generation that built the Revolution, experiencing the excitement
of that period. Likewise, within the years of the revolution she graduated from
the University of Theatre and Drama – at the age of 50. Therefore her vision
could hardly be other than that of an active defender of the cause."
Cuba As Seen By
Tourists 11/10/2011 Havana Times: by Yusimi Rodriguez -
"With time I’ve come to meet many tourists and I always wonder how the
world looks to someone who can buy a round-trip ticket to any part of the planet
like it’s something normal. Their lives in those countries seem like fiction
to me and they stir my curiosity."
Afro–Cuban
writer Yusimí Rodríguez López 10/21/2011 Diaspora Vibe: "Consequently,
the online sphere of debate and cultural critique that’s been expanded to
include such interlocutors as Sandra Alvarez, Yusimí and their mentor Lalita
Matiatu (http://afrocubana.wordpress.com/ ) does not, like radio and television,
reach a mass Cuban audience. Yet the limited access that does exist to these
online sites of discursive and cultural struggle aren’t blocked or censored as
are sites deemed to be “counterrevolutionary.” This suggests that these
relatively new cyberspatial projects are the outcome of an ongoing negotiation
between the counter-publics of civil society and the state, which struggles to
sustain its legitimacy in a context of growing social disparities and
ideological contestation. The international accessibility of these blogs and
other e-publications facilitates an exchange of ideas beneficial to all
concerned, ensuring that the embargo does not prevent the flow of ideas and
intercultural communications."
Cuba Seen by
Tourists (II): Christian Returns 10/9/2011 Havana Times: by
Yusimi Rodriguez
Cuba Woman’s
Small Business Secret 9/5/2011 Havana Times: by Yusimi
Rodriguez
A ‘Maroon’ in
Cuba’s Hip Hop 8/29/2011 Havana Times: by Yusimi
Rodriguez - "Last week I attended the “Workshop on Gender” that took
place within the framework of the Seventh Symposium on Hip Hop, dedicated on
this occasion to peace. It was held from August 17–21 at the Plaza Cultural
Center in Havana. There I met Lourdes Suarez, the “maroon” (Spanish:
cimmaron, the word for “fugitive slave” used throughout Latin America) who
along with her comrade Yasser “El Gallo” Miranda, makes up the Espejo
Project."
Cuba’s Rotilla
Festival Out in 2011, Back in 2012? 8/17/2011 Havana Times: by
Yusimi Rodriguez - "Last year, as is customary, we were approached by the
vice minister of Culture, Fernando Rojas, who had several meetings with us
before the festival, one of them at the office of the Asociacion Hermano Saiz,
which ironically now says that I’m not a member (I’ll say more about this in
a minute). He told us: “Look guys, for us to help you, you have to help us.
The group Omni Zona Franca cannot perform at the festival because they present a
problem to national security and the interests of our policy on culture.” I
don’t consider dangerous Omni. If an artist is able to destabilize a
government, that government must be pretty fragile and unstable anyway.
Recently, in a session of the Cuban parliament, President Raul Castro explained
that there should not be intolerance towards criticism, that it’s necessary to
listen to all sides for the country to grow. Notwithstanding, some of his vice
ministers and vice presidents have some highly conservative views that would
make you think we were still in the ‘80s."
Leaders Scare Me 7/11/2011 Havana
Times: by Yusimi Rodriguez - "If you’re still surprised that so many
women in love allow themselves to be run roughshod over by their lovers and
continue to justify their actions, think of how the faithful followers of the
dictators (those former leaders) do exactly the same thing. Then you’ll
realize how horrifying it all is."
Lidiando
con mi "pasa" (II) 7/7/2011 Negra Cubana: por
Yusimi Rodriguez
Lidiando
con mi "pasa»" (I) 6/14/2011 Negra Cubana: por
Yusimi Rodriguez - "Aunque para algunos sectores de nuestro país, tan
solidarios con la lucha de los afro-norteamericanos, black no era tan beautiful.
A mi padre, que era miembro de la Unión de Jóvenes Comunistas (UJC), le
cuestionaron su forma de llevar el pelo en su comité de base. El pelo largo, e
incluso la barba, se consideraban sucios, antihigiénicos, indecentes, indignos
de un miembro de la juventud comunista que debía ser la vanguardia del país. A
mi amiga modelo la llamaron de la dirección del pre para preguntarle por qué
llevaba el afro: "Los negros en Estados Unidos lo llevan para protestar,
tienen motivos. ¿Pero usted contra qué está protestando?"
Afro-Cuban
Women Debating Cuba Today 6/13/2011 Ethnolust
Cuba’s First
Black Model 4/1/2010 Havana Times: by Yusimi Rodriguez
Open
Letter Condemning Recent Obstructions and Prohibitions of Social and Cultural
Initiatives - Observatorio Crítico 12/28/2009 El Yuma
‘The Revolution
Made Blacks Human’ 11/3/2009 Havana Times: by Yusimi
Rodriguez - "The crowning point of my co-worker’s monologue was the
moment he said that if he -the white son of rich people- had been able to
sacrifice then blacks had to do the same, because “the Revolution had allowed
blacks to become people.” I didn’t know if the guy had something else to
add, because I cut into him calling him a racist, among other things. It turned
into pretty ugly argument, over which he finally chose to retreat into his
office."
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